Showing posts with label Magic. Show all posts
Showing posts with label Magic. Show all posts

Sunday, May 3, 2009

PARTY AT ARCHIE'S!

There are two reasons why I'm very excited...

1. Life of the Party, the visual history book I created for S.S. Adams Prank and Magic company, is now available at Archie McPhee! If you're wondering, McPhee is the name of one of the greatest novelty outlets on this particular planet. They preserve the heritage of our nation's novelty biz while advancing it further all at once. So I'm thrilled to know my book is residing in the same room as the Mighty Monkey and the Frogmen versus the Radioactive Octopus set.

2. They are selling the book at its lowest price ever! Since it came out three years ago it's never gone for less than forty-five bucks— but now it's $23.95!
This means that you no longer have to be magician David Copperfield to own this book!

See what J.J. Abrams was clamoring about in this months Wired Magazine!
Order your copy today! Bring Life of the Party to a party and become the life of the party. Make life a party! Now you too can literally bring extra life to any party. Get more out of life and parties! (Hey, I'm like one of those Ad Wizards!)

Tuesday, April 21, 2009

J.J. ABRAMS, S.S. ADAMS, WIRED MAGAZINE AND ME


The latest issue of Wired Magazine is fantastic.

Okay, 47% of my motivation for saying that is because J.J. Abrams happened to mention my design work and my S.S. Adams book in this month's Wired Playlist!

But the other 53% of my intent is purely inspired by the fact that this issue is phenomenal. Unexplained phenomenon that is. Abrams guest edited the whole thing, and he's managed to create something abnormal– which is to say, something not normally found on the magazine rack. First off, the entire issue is a puzzle. But for those of us lacking that sort of mind power there's stuff about Art Bell, Mystery Spots, secret codes, magic tricks, a Chris Ware comic, and a great essay penned by J.J. regarding the nature of Spoilers. The cover features Abrams' gorgeous Mystery Box as discussed in his TED talk. They even let him hijack the logo with a wonderful vintage-inspired typeface. Or is it hand-lettered? Another mystery.

Thanks again for the magic Mr. Abrams.


Monday, November 10, 2008

NEW MYSTIC SMOKE PACKAGE


I'm super pleased with this new package that I just designed for S.S. Adams. Mystic Smoke has been one of Adams' top selling products for many decades, but this is the first time in recent history that it's received its own customized package. They wanted a look that was even more appealing to kids than the standard template we've landed on...


...so I did away with the some of the straight lines and employed the very organically-shaped smoke. The excellent kid came from genuine unused production art from the Adams vault that was illustrated in the 1960s. I took a hint of design inspiration from the Saul Bass movie poster for Hitchcock's Vertigo.
In a perfect world, wacky misaligned lettering would be everywhere.

Monday, October 6, 2008

MAGICAL WALLPAPER


Computers are sort of like magicians' top hats, capable of producing magical wonders galore. Aren't they? Sort of? If you agree with this statement, then it makes perfect sense to put this magic themed desktop wallpaper to use. Click on the above image to grab the widescreen 1600 x 1000 version, or see below for 1024 x 768. Ta-da!



Tuesday, May 6, 2008

J.J. ABRAMS MENTIONS "SECRET FUN SPOT" IN ROLLING STONE!


In the latest issue of Rolling Stone magazine (May 15, 2008) one of my most beloved cultural heroes, J.J. Abrams, does my site a tremendous honor...

(See the full piece here.)

It's difficult to express the joy this gives me without relying on high pitched yelps. 'Thrilled' is not the word... 'atingle' is only slightly more accurate. Grateful! Yes, that's it. Thank you J.J.

I wonder if there are a lot of folks currently rushing to the Secret Fun Spot thinking it's some new viral marketing campaign. If I were just a little more evil I'd swap out the regular site and upload fake production art for a Cloverfield sequel, or maybe some shots of "the new Star Trek crew" taken in my back yard... naked from the waist down.

Alas, I could never do such a thing because my feelings are completely mutual. Abrams is like an entertainment ambassador who serves as a representative for the childhood version of me. Spies... giant monsters... Star Trek! And then there's dear, sweet Lost; the only thing that can stir up the very feelings I had while watching Twilight Zone reruns before bedtime. At the same time, it manages to pluck the part of my brain that gets so excited by those classic lateral thinking puzzles. You know the ones; for example...
"A man and his wife raced through the streets. They stopped, and the husband got out of the car. When he came back, his wife was dead, and there was a stranger in the car." [Solution]
Those things have always given me such a creepy charge— just like Lost.

Could his upcoming show Fringe be anything but amazing? (A series that "mixes elements of "The X-Files" and Paddy Chayefsky's "Altered States" with what Abrams calls "a slight 'Twilight Zone' vibe." Sheesh!!) Did you know he directed an episode of The Office? Did I mention he's a huge S.S. Adams fan? I'm talking levels of fandom involving a fully stocked sales rack of pranks and magic tricks right in his office! (Not unlike the one I have.) Sorry for the love letter folks, but it's ridiculous the way his work represents just about everything I cherish.

Anyway, you can spot this issue by the tastefully classy, yet classically tasteful cover featuring The Hills gals on their way to an underwear parade. In compliance with the cultural standards, I had a subscription to Rolling Stone throughout my college career (and then some), so it's a blast to revisit the publication under these circumstances. However, reading it all these years later makes me feel so out of touch with the music scene. For instance, before I read this issue I knew so little regarding "the truth about The Hills" and even less about the $25,000-a-night escort service, but thankfully, now I'm hip again!

So now that you know there's a chance that J.J. could be reading, go ahead and fill up the comments section with your unsolicited movie concepts and nitpicky questions regarding any of his productions.

For further proof that Abrams is the master of secret fun watch J.J.'s chill-inducing presentation from the 2007 Technology, Entertainment, Design (TED) conference...





(Thanks for the heads up Todd and Mike!)

Monday, May 5, 2008

2008 S.S. ADAMS PRODUCTS


I find it oddly comforting to know that every Monday morning a crew of employees continues to file into the majestic S.S. Adams factory in Neptune, New Jersey where aspects of the workday routine have remained practically changeless for nearly a century. A typical day may involve cramming leopard-skinned "snakes" into fake cans of "mixed nuts," or fitting yellow sponge rabbits into magic set boxes, or maybe even sitting at a lathe hollowing out real U.S. coins for use as Squirting Quarter gags or Scotch and Soda magic tricks.

The Adams approach to new products is also comfortingly constant. While the modern day practice among their competitors is to take established pranking concepts and slap on a technological veneer— MP3 players that shock, cell phones that squirt, whoopee cushions with remote control— Adams chooses to focus on reviving time-tested novelty classics, as well as dreaming up a few choice items that have such dateless appeal they could have been top sellers fifty years ago. (i.e. Gross Soap...)


This year Adams unveiled an assortment of new old items, each guaranteed to stir up sizable mirthquakes. Let's have a look...

Amazing Scottie Dogs

You've played with them, you've been mystified by them, and you've made them do unsavory things; the magnetic doggies are back and their magnets are more powerful than ever before. The dogs themselves are actually genuine uncirculated stock from the fifties. How cool is that?

Chatter Teeth

These familiar wind-up choppers are based on the gag originally designed by Eddie Goldfarb and introduced to the world by legendary toymaker, Marvin Glass (by way the Fishlove Novelty Co.) Variations of these have been sold alongside Adams merchandise for decades, but this is the first time that Adams has gotten in on the lucrative world of novelty dental work.

Flying Butterfly

This item was the invention of S. S. himself. The mechanical butterfly was discontinued decades ago (originally sold inside greeting cards) but her time to fly has come again. These little beauties travel a surprising distance and the new models are more durable than their predecessors. S.S. would be proud.

Squirting Quarter

Until now you had to use the Squirting Nickel to soak your friends in the eyeballs. These days five cents isn't always enough to attract the sucker's gaze, but a shiny new quarter will certainly do the trick!

Considering how the Joy Buzzer helped America have a few laughs during the Great Depression, these little numbers may be just the thing to liven up our little recession! If you're a retailer you can get this stuff straight from Adams haunted factory; just give them a call. But if you are just a lowly consumer I recommend ordering online through F. L. Jerry's shop.

No, Adams didn't shell anything out for this little sales spiel. I'm just a fan. Well, there's also the fact that I still design for them. Oh, and of course that book I made for them.
Happy shopping!

Thursday, January 10, 2008

MARTIN AT MERLIN'S

A smorgasbord of my personal favorites merge beautifully in this one simple photograph. You're witnessing a teenage Steve Martin demonstrating a magic trick in Disneyland's Merlin's Magic Shop! The ventriloquist dummies and novelty skulls are just the cherries on top. And it's all happening in the 1960s. Aaaaargh! It's all just too wonderful to comprehend.

This pic came from Martin's new-ish book, Born Standing Up, which I'm really looking forward to reading.

Saturday, December 15, 2007

GIVING PROPS TO HAIRSPRAY

Last Summer I gleefully mentioned that one of my illustrations, as well as a package design I did for the S.S. Adams Prank and Magic Co. was supposed to appear in the 2007 version of the movie Hairspray. Thankfully, both did indeed make the cut (albeit briefly) and now that the DVD is in my collection I can share some screenshots of the outcome (so that you may know when to cheer aloud while viewing the film with your loved ones).

The first glimpse can be seen in this exterior shot of the Hardy Har Hut. S.S. Adams products bearing my designer's touch line the windows...

(as per usual, pics enlarge when clicked)

The faces that the set designers painted on the upper windows were based on this S.S. Adams rack header...


Viewers get a nice clear view of the Sword Thru Finger magic trick as it hovers above Amanda Bynes in this shot...

If you care to know more about the packaging, here's the story behind it.

On to the illustration. I've described the fellow above as "what I thought it might look like if Jim Flora had illustrated a cover for '60s-era Esquire magazine if it had done a feature on S.S. Adams." The image and its color scheme were incorporated into the Hefty Hideaway marquee. It is seen in exactly three shots, amounting to probably less than four seconds of screen time...

#1
#2
#3

So, did my illustration also influence the "real" Mr. Pinky's plaid suit?...

There's no way to know. But this fact won't stop me from telling everyone "Yes, I pretty much tailored Jerry Stiller's wardrobe."

Later on, an entire rack of product has the honor of sharing the screen with Michelle Pfeiffer and the always laudable Christopher Walken...


Walken demonstrates a genuine S.S. Adams Joy Buzzer...


Ms. John Travolta throws a rubber chicken right next to the tower of classic gags...


A few more items (Coin Con and Mystic Smoke) are stashed in the stock room...

One of the movies few anachronisms was the use of self-inflating Whoopee Cushions which were not developed until decades later...


Though I can't complain because my Adams packaging obviously didn't exist back then either.

And lastly, my name actually shows up way, way at the tail end of the credits. We're talking after the music ends and even after the Dolby and MPAA logos and all that...

It's a bit screwed up because the Adams logo is not courtesy of me. It was supposed to mention the illustration, but at this point I'm just thankful they didn't misspell my name.

So there you have it. I'm quite thankful to have this minuscule involvement in Hairspray of all films because I really enjoy watching it (even more than the original) and it's just oozing with fun and joy which are two things that I strongly endorse. They really did a tremendous job putting it together and they captured the era in a way that few movies have. (I say this as if I were alive in 1960.)

So after obsessing about it for a lifetime, I have finally become a piece of obscure minutiae in our popular culture.

Feel free to patronize my film (as I like to refer to it.)...

Wednesday, March 21, 2007

NEW S.S. ADAMS ONLINE CATALOG


Hey prank and magic fans! I finally put together a web version of the ol' S.S. Adams catalog I started way back in the day. It's pretty standard stuff except that this is the first time in the company's hundred year history that Adams has utilized actual photographs of their products. Don't worry, I included all the historic artist's renderings as well. Feel free to have a look.

And please don't overlook the very latest in gagery, the new instant classic, Gross Soap...

Saturday, December 9, 2006

A CENTURY OF PRANK PACKAGING

Here I go again with more blabbery about the S.S. Adams prank and magic company. This time I thought I'd showcase the progression that their packaging has made over the past 100 years which includes my own contribution to their visual lineage. It's an interesting case study that reflects the broader history of American design to some extent.

Black and White display cards: Early 1900s -1940s
Black ink on white card stock; no frills to speak of but it did the trick. And the beautiful illustration by Louis Glackens even gives it some class. Novelty items like this were usually kept behind glass in a store display case so the package had to serve as a mini billboard that offered everything a customer needed to know at a glance. It reminds me of a three dimensional catalog listing. Notice that the product was held on with a single staple. This worked fine since the clerk was the only one with access to the item. Back when this was for sale the idea of commercially manufactured pranks was very new and the streets were filled with suckers. All ages and social classes got in on the mischief.

The Self Service Pack: 1950s
Four decades later, pranks were pretty much considered children's toys. Products were now exposed to handsy customers and "peg racks" were standard. As you can see the packaging evolved accordingly. A dime store-friendly header card with a peg hole was introduced, and the product was sealed in protective cellophane. The use of color (albeit limited) made it more eye-appealing, especially to youngsters. And in following with the times, the illustrations became less ornate and more casual, as did the typefaces.


The Stretch Pak version 1: 1950s - 1960s
Adams sought a form of packaging that was even more versatile, so they continued to research formats during the late 50s. That's when the Stretch Pak was born. The cardboard frame was sturdier and the cellophane window could accommodate almost all of Adams' products which came in a broad range of shapes and sizes. The uniform containers looked better and made it easier on shopkeepers. They were more cost effective because thousands of blank Stretch Paks could be purchased at once, and an in-house press customized small batches with product name and illustrations according to the contents.


The Blister Pack: 1958 - early 1960s
Adams put blister packs to use long before it became a widely accepted form of packaging. The card served as a canvas for eye-grabbing graphics that were unique to each individual product. The blister packs were as durable and accommodating as the Stretch Paks but the new machine that produced them gave workers continual problems which eventually tipped the scales in favor of the Stretch Pak.


Stretch Pak version 2: 1970s - 1980s
In the 1970s an advertising agency was employed to give the Stretch Pak a face lift. They picked a new color pallet, streamlined things a bit (including the corners) and did away with the joker icon (a top hat icon was used on magic items). The change wasn't drastic, but the outcome was pretty subdued.

Stretch Pak version 3: 1980s - 2000s
Yes, Liquor Pops. The mechanics of the Stretch Pak continued to serve the company well, though they opted for another cosmetic revision in the 1980s, presumably to stay competitive. Cartoonized icons and a new color gradient gave it a more lively look. They were ahead of the pack when it came to the gradient, however they used this same design for well over twenty years and it seemed dated shortly after the digital design revolution in the 1990s brought on gradient overkill.

Modern Packaging : 2005-Present Day
This is where I came into the picture. But let me back up. Once upon a time I was bidding on a routine ebay auction for some old Adams junk. All was normal. I won the auction. Still normal. I noticed the seller's address was near Neptune, New Jersey, home of the Adams factory. Hmmm. furthermore I notice that the seller's last name was Adams. Aha! Turns out the seller was S.S. Adams's grandson Chris who was still running the business! He indulged me by answering an onslaught of questions, and he eventually became a pen pal of sorts. I started mailing Chris any of my little art projects that had anything to do with pranks or novelties. I wasn't fishing for work, honest. I just knew that he, unlike most folks on the planet, could appreciate my stupid obsession. One day I got a fateful email from Chris asking if I'd be interested in doing some design for them.
Wait, let me put this in perspective... back when I was teaching myself PhotoShop on a laptop that someone had given to my mom, I used to come up with these fake little assignments for myself so that I could learn the program and build my nonexistent portfolio. As an avid Adams-lovin' guy my obvious dream job was to design for them, so I created a phony catalog layout for my favorite prank company and proudly stuck it in with the rest of my malnourished body of work. (Incidentally my design was terrible.) But you see, when you're sitting at your mom's laptop in a small Arkansas town you just assume that there are other, more preferred candidates for the next S.S. Adams design campaign. Even years later, after I had started designing for a living I was known for my watercooler soliloquies on how I would handle an S.S. Adams Stretch Pak re-design. So maybe you can understand why Chris's email caused my brain to melt. My first job was none other than a catalog redesign.

Anyway, for my next assignment I was asked to give the Stretch Pak the ol' "retro modern" treatment. (I can do that!) I knew that it would be criminal not to re-employ the company's rich archive of product illustrations.. so that was a given. I also gave it a fun, brighter color pallet that echoed the earlier designs and I re-introduced the joker and rabbit-in-the-hat icons. I intentionally made sure that the blacks were grey and the whites were off-white to give a subtle feeling of age. I also purposefully made the illustrations appear to be "off register" (which means not matching up correctly with the other colors, causing a ghosting effect) since that's the way they often appeared in the backs of comic books. My finishing touch was making an icon out of the founder, Samuel Sorenson Adams and putting his illustrated profile on the bottom of each package. As Chris Adams put it "Now he's kind of like Betty Crocker." All in all, the final product has sort of a poor man's Charles Spencer Anderson feel, though Anderson has since given his blessing to the design.

Amid the designing process I assembled a variety of layouts and color combos to present to Adams. Here are two of my other early mock-ups...


The current line up utilizes both the Stretch Paks and Blister Packs depending on the product. Here's what they look like on the rack...


But now I shall reveal the secret inspiration for this post.. the fact that my Adams packaging made it into the 2006 Print Magazine design annual! This is thrilling for me because I've been ripping of-- um, inspired by stuff appearing in Print for years, hoping all the while that I might someday make the cut. The fact that it's my Adams stuff makes it a two-in-one dream come true, and if I were standing behind a podium right now I'd thank God for such a tailor made blessing.


This post certainly isn't meant to sound braggy. I see the whole thing as a small miracle and I hope that maybe you'll find some manor of inspiration within my tale. It's the result of hard work, a positive outlook and a lot of faith. So if you happen to find yourself bored in Barnes & Noble anytime soon, you can grab a copy of Print, flip to page 229, and check out my work on the plastic dog crap.


(And of course I have to mention that if you like this kind of stuff you may be interested in my visual history book on S.S. Adams.)

Monday, November 13, 2006

S.S. ADAMS 100TH ANNIVERSARY CELEBRATION: A WEEKEND OF FUN AND DECEPTION (PART II)

(Continued from Part I.)

I put on the only suit that I own (It belonged to my father who wore it when he was younger than I am now.) popped a few breath mints, and it was time. Jason and I got off the elevator and followed some dressed-up folks to the reception table. Once they took our names we were each issued a little blue velvet sack that contained an extremely cool commemorative coin...

Feeling gratified, we wandered into the first of three chambers. A long table displayed Adams relics that were being offered in a silent auction to benefit various animal welfare organizations (proceeds from the overall event went to the same cause).

Magic and prank sets, vintage signage, and even an original vial of Cachoo Sneezing Powder (the very first product Adams offered) made up the assortment of goodies.


The next room was more lounge-like in nature, and many of the two hundred guests were assembling there. Lots of mingling, milling about, and mixing took place as folks sampled appetizers and spirits from the wet bar. The attendees had come from all over the US and had many different associations with the company. They ranged from friends and family to retailers, magicians and journalists along with many Adams enthusiasts and collectors.


An appropriately mysterious player piano provided the soundtrack to the early evening.
Chris Adams (co-owner and grandson of S.S.) also operates a local piano shop, and he supplied this beauty...

The table set-ups were exactly what I wanted to see. A black magician's hat served as the centerpiece and each setting included a Snake Mint Can and some pieces of souvenir Asbury Park Taffy. Much discussion centered around the taffy. Tables argued whether or not it was a prank since Adams used to sell taffy treated with various nastiness. Turns out it was the real thing. Most guests (myself included) weren't about to risk a bite, so it became sort of a "reverse prank" if you will.


The ballroom was gorgeous and perfectly fitting to the occasion. The Art Deco decor and the recorded music from the 1920s and 30s kept reminding me of the party scenes in The Shining. (I was pleased to hear several ghost stories from an ex hotel employee who sat at my table.) The environment effectively transported us all back to the glory days of the business. (Even during the Great Depression the United States' craving for cheap amusements meant success for Adams. The profits from the Joy Buzzer alone enabled the company to endure the times without letting go a single employee or cutting a single wage.)


The program began with an introduction from author and magician William Rauscher who was followed by Adams Co-Owners Chris Adams and David Haversat who each gave their own presentations. Then came the cavalcade of magicians consisting of Tom Ewing, Al & Rebeccca Lloyd, Michael Miller, and my personal favorites Richard and Joanne Gustafson who performed their 'Magic by Candlelight' routine which they've been perfecting since they appeared on the Ed Sullivan Show. Most of the magicians on stage and in the audience shared one thing in common.. their very first magic trick was an Adams. Such is also the case with my arch enemy, David Copperfield (who wrote a letter of congratulations that was read aloud at one point.)


It was, well, a magical evening. After the entertainment ended I had a great time chatting about the Life of the Party book and struggling to think of witty things to write in people's copies. I especially relished my chance to meet the extended Adams family. S.S. Adams' daughter Gertrude 'Tud' Adams gave me the sweetest hug and some wonderful compliments to go with it. To hear her say that the book has flooded her with a wealth of lost memories was heartening to say the least.

As the night unravelled I pondered how amazing it is that this unusual and innovative little company has altered the lives of so many and so drastically impacted the culture we live in. (Not to mention generating a century's worth of hilarious and unforgettable moments.) Maybe it's because Adams has tapped into the timeless art of deception. Every customer has a choice.. you can trick to humiliate or trick to amaze. Some of us take satisfaction in simply knowing the principles behind all the trickery. Maybe it helps us feel more equipped for life in a world full of shysters.

The next morning provided us with a chance to tour the factory building. In 2005 I spent a week within it's walls as I worked on Life of the Party, but I still found myself giddy as we pulled into the parking lot once again. It's truly a wonderful place.. ancient, mysterious, historic, haunted, and full of heavy machinery made of that beautiful pale-green metal. Here's a look...

The front door


A work station where magic sets are assembled (those yellow things to the right are foam rabbits)

This wire actually feeds the machine that makes the internal spring for the Snake Nut Can

A freshly made spring emerges from the mechanism. Add a patterned sheath and you've got a terrifying snake.

William Rauscher demonstrates the Egg Vase trick. (I finally got to meet him on that tour. He wrote a history book about Adams several years ago, and he just oozes with class.)


The novelty-geek in me savored the moment pictured above. Chris (left) and David (right) are talking shop with Graham Putnam, owner of rival gimmick makers Fun Incorporated. You're looking at the industry giants taking part in a rare meeting of the minds! The number of trade secrets that were stolen that morning is anyone's guess.

By Sunday afternoon the event that we'd been discussing for more than a year.. was over. But we still had one more stop on the itinerary. A favorite ebay seller of mine happens to operate out of Salem, Massachusetts which is about four hours from the Adams factory. A couple years ago I had a ball visiting his warehouse where I spent hours digging through boxes of vintage unsold store stock. I reminisced about it with David (of S.S. Adams) during numerous phone calls since he too is insane for this junk. We saw this as possibly our only opportunity to visit this place together. I was glad that we had planned it that way because there's nothing like the promise of generic mid-century plastic to keep the bittersweet thoughts of the Adams banquet at bay.

Before I ever visited Salem I wondered if the whole "witch thing" was something I should avoid bringing up around the locals. It doesn't take long to figure out that it's a topic the town has come to accept...


We located the warehouse and spent the next four hours coughing on vintage dust, saying to each other "ever seen one of these?" and loving every minute. Since this was a private appointment (there's no public storefront) we had to commit to a large (to me) minimum purchase, so this made us feel like a couple of high-rolling VIPs of the vintage plastic scene (if there is such a thing.) Here's a glimpse of a tiny fraction of his stash...


I don't think this seller would mind me telling you that his ebay moniker is atomic-candy. He makes his living peddling this stuff online and he admitted that he's not too thrilled about folks invading his headquarters and rummaging around (I know we left quite a mess) so I'm thankful that he's so generously allowed me to crash his place. Here's a shot of my plunder...

(click to enlarge)

Then we drove back. Then I flew home. Well. That's what happened.

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